jaynie
*Z>This s* seems to be *orientated, but not *in any way? While I enjoy all aspects * hear
*sj>Thank you for your interest in all significant areas
*Z>I have a particular interest in *. There will be * is possible. thus my careful approach one way or the other.
*Attempt
*Z>it seems?
*Z>but I'll try. Otherwise now
*sj>try. Otherwise for now?
*
*sj>i have to admit to be being very interested
*sj>Thank you for your interest in all significant areas
*Z>I have a particular interest in *. There will be * is possible. thus my careful approach one way or the other.
*Attempt
*Z>it seems?
*Z>but I'll try. Otherwise now
*sj>try. Otherwise for now?
*
*sj>i have to admit to be being very interested
*Z>As I aim as soon as possible, rely
*sj> five times five times five
*Z>Does me possible order recommend after which
*sj>That may be possible rash my instincts over the years as you have can you, including face to store this interior i say proposition. serious and clear, as so many are. object object. directness that speaks to me. with that in mind can you name or number account
*Z>yet why this?
*sj>my last 5 months.
*Z>Good morning as a courtesy to acknowledge your account in a name/number must consider something appropriate. train is uncompromising and true in consequence again.
*sj>Good morning happy. the idea of opening your indulgence
*Z> very happy night. more later today it changes almost daily.
*sj> five times five times five
*Z>Does me possible order recommend after which
*sj>That may be possible rash my instincts over the years as you have can you, including face to store this interior i say proposition. serious and clear, as so many are. object object. directness that speaks to me. with that in mind can you name or number account
*Z>yet why this?
*sj>my last 5 months.
*Z>Good morning as a courtesy to acknowledge your account in a name/number must consider something appropriate. train is uncompromising and true in consequence again.
*sj>Good morning happy. the idea of opening your indulgence
*Z> very happy night. more later today it changes almost daily.
*sj>all your indulgences forward
3 Comments:
I love the way that this has a cut-up feel to it. I also like the repetition of certain words such as 'indulgence forward' - as DL said...there is a sinister edge to this. But poetic as well. With hints of more to come.
The cut-ups often afford a certain sense of distance between the two different people...makes it almost a cold interchange between them...but at the same time it is highly charged and full of tension.
Yes, cut-up for sure. Sometimes, though, cut-up can - for me at least - be a tad too abstract, haphazard, accidental; revealling nothing meaningful in terms of narrative in so being. The conceit of having two characters, one obviously male one obviously female, mitigates against this abstraction I think, I hope. It's early days with this technique for me, but I think it has legs!
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