George Steiner
posted by murmurists at 10:08 pm
Tuesday, November 28, 2006
About Me
- Name: murmurists
- Location: Cafe Abdab, City of Dis, United Kingdom
Anthony Donovan is an artist, musician, composer, improviser and writer based in England. He works solo, either as Murmurists or under his own name, and is associated with projects such as Destroyevsky, Ou_pi Golgotha.undead, Spidey Agutter and the.clinamen. An ardent collaborator, he has worked with the likes of John Zorn, Jochen Arbeit, Geoff Leigh, PAS, Steve Beresford and Damo Suzuki. Donovan co-curates the respected labels Classwar Karaoke and suRRism-Phonoethics with Jaan Patterson. His interests are all either obscure or opaque, but morally authentic.
Contact:
dr.anthony_donovan@yahoo.com
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15 Comments:
As Jimmy Pursey almost sung, George Steiner is innocent.
The above comment was me ... I'm obviously so proud of it I can't stand to see it go anonymously.
And can't post as me at the moment due to Blogger.Com playing games.
St Anthony
Hey there St. A ... yeh, I get strange things happen when I visit your blog - an otherwise enjoyable experience is troubled by warnings of unsecure content and destination when I comment. I comment anyway, since I bought a Sex Pistols single at the age of 14 and routinely listen to Gates of Delerium by Yes. Obviously, then, I am devil-may-care. But it is most strange.
It's bloody annoying ... I can post and put comments on my own blog at the moment, but no others. I made a mistake in switching to betablog, particularly when there seems to be no way to directly contact the mysterious masters of the blogosphere.
The Pistols and Yes? A strange and heady combination.
St Anthony
Ah - said on another comment re. beta-blog. I saw the sign up to it notice. But ignored it myself. Flipping technology...
Yeh, punk AND prog! Pervert I am. I have Crass' Feeding the 5000 and Yes' Close to the Edge in my collection! I had this book in my head for years about how punk and prog were not discontinuous, inimical. A friend reckons I waited too long - as Simon Reynolds' 'Rip it Up' covers the same ideas. It does to an extent, but his fear of prog ruins it. Prog is infinitely more problematic, dangerous, and alt than punk, I believe. A Steve Howe guitar solo is much more frightening than anything by Killing Joke! Look at Lydon's love of Van Der Graaf Generator and Kate Bush. If it's Prog's supposed rarefied rural silliness that damns it, well nothing is more firmly entrenched in that department than Kate, I'd say! Prog-Punk was an idea, if you will, I had during my degree - some 15 years ago now. But I sat on it during the Doctorate! I haven't got the will to get to it now! All that postrock stuff is just Prog - with its purveyors too frightened to come out and say so, for fear of looking like fucking Marillion! Marillion were/are a 6th form history project; whereas, say, Magazine, to an extent Radiohead, and for sure Godspeed, Killing Joke, and Battles, are working in the spirit of Prog - making strange, experimentating, pushing the envelope, etc. Prog is Modernism, is my argument. When I hear stuff by modern composers like Mark-Anthony Turnage, I just think - sounds like Yes in 1973.
The instrumental passage of Gates of Delirium by Yes, from Relayer, does everything that Greil Marcus (in Lipstick Traces) says the end of Holiday in the Sun does.
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