I WALK THE LINE
See...
In walking the line, like a B/Chatwin o.n.o., I thump
'Ohio-shaped farmland' on Cecil Fender Rhodes, with
emotional MiniMoog of Borges alterations.
(A soundartworking sacred cow.) Now. Mercator.
Mercator now. Wow across the rooftops, to sources of a
grey Nile; or the Pongo Congo, gone too long-o, oh
Robert Longo. Line is caucasian; as Brecht; a folded flat
erstwhile circ, ca. 1963. It rings. It ringfences, as defences.
Its plutonium claw, platonic and bionic, shoots out to
overkill
almost thereabouts
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